Film Analysis – Week 36
Dead Poets Society (1989) – Directed by Peter Weir
Starring: Robin Williams, Robert Sean Leonard and Ethan
Hawke
This film is a Drama with
comedic elements about a prep school in the USA with children destined to
become doctors, lawyers and accountants. The school prepares the children,
drilling them with sophistication yet none of them have the choice to do what they
want. The film uses one individual teacher as a conduit to a better life, Mr.
Keating, the students English teacher, teaches them about poetry and ways to ‘seize
the day’ (carpe diem) giving them a new perspective on life. This film cleverly
uses Williams’ character Keating as a way to connect with the inner desire of
the audience, cleverly addressing an issue at the time for both parents and
students. The mix of comedy and realism throughout the film makes for a very
clear message allowing the audience to mix with the characters , feeling as
though they are really alive and have lives that they want to live. It is
unclear where the direct inspiration for the film arose, however it is well
known that many situations such as the ones presented in the film have happened
before in real life. The ways that film goes about using Keating’s teachings in
the film, allows it to seem believable as a teacher avoiding the norm and
trying to help the students think outside the box. It is a very narrative
driven film that requires the audience to pay close attention and empathise
with the key group of students alongside Keating in the film. The film explores
themes of education, liberty, choice, inspiration, love, poetry, authority and
conformity.
The film has had many
copycats and must originate from similar ideas in the past, one such example is
‘The School of Rock’ (2003) in which an unorthodox teacher goes out of his way
to liberate the students. This narrative concept is very clever as it uses the norms
and expectations of such a prep school and flips it on its head. Keating represents
the kind of teacher that everyone as a child wanted, the kind of laid back and inspirational
teacher that invokes the passion within his students. Keating uses his love of
poetry to inspire the students and for them to go outside of their
expectations, set by their other teachers and especially by their parents. The
key message of the film is carried along throughout, showing the audience the
true value of education and also letting children do what they desire with
their lives. However the point isn’t driven home until one of the students,
Neil Perry (Robert Sean Leonard) commits suicide due to his father decisions
against his own. The point of choice is huge in this film and is one of Keating’s
key messages. The filmmaker’s used this film to go out of their way to spread
the word through cheer and comedy, but also to drive the point home using a
serious ending. At a time where this issue was at its peak, the filmmakers
decided that it was time to put an end to the cruelty that was being foregone
on students and their choices towards life.
This film, being quite a
narrative focused film, earns many accolades in this department. One such is
the fact that the film uses many unique subplots in order to more deeply enrich
the story and for the audience to better relate to and empathise with their
characters. Each key character has a small subplot within the film, either
relating to their personal life or their life within the school. Each member of
new Dead Poets Society has a unique trait which the audience, by the end of the
film can easily identify. This enables the audience to clearly resonate which
each character. Knox (Josh Charles) has a budding love story throughout the
film, which resolved in the end due to his persistent passion for a girl. Meeks
(Allelon Ruggiero) is known for being overly smart and therefore helps each
student recover when their work is falling behind, Neil falls in love with
acting and auditions for a play of Midsummer Night’s Dream, Charlie (Gale
Hansen) defends the honour of the Dead Poets Society, Todd (Ethan Hawke) is
nervous about his personal feeling and doesn’t like to speak out loud, but
realises his skill and passion for poetry and Cameron (Dylan Kussman) rats out
Keating because he thinks that he is disrupting the gang’s learning process.
Each point of the character’s arcs is solidified early on allowing the
narrative to be predictable but it a clever and satisfying way.

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